The Need for Reform in Film Journalism
Film producer Aviral Thapa has raised concerns about the current state of film journalism on social media. According to him, film journalism should focus more on presenting the truth rather than mere publicity, yet publicity seems to be dominating the field. During the 10th general convention of the Film Journalists’ Association, the leadership emphasized the critical need to improve journalistic quality and uphold self-discipline. Last year, at the time of the release of the film Bhuthan, Thapa posed a significant question via social media: “Is Nepali film journalism moving in the right direction?” Raising such a question during the sensitive period of a film release was noteworthy in itself.
Disappointed by the behavior and activities of film journalists, he publicly posted this status. Within days of its release, the trailer release event for the same film was organized at Labim Mall. Some journalists present there, particularly YouTubers, disrupted the event with irrelevant and unnecessary questions, creating an uncomfortable atmosphere. Aviral Thapa is not only a film producer but also the principal at ‘Polygon’, a college that teaches journalism. Considering his background, it is concerning that some YouTubers seem to be instructing journalism to professionals.
Recent activities in film journalism raise a serious question—are we truly practicing journalism in this field, or is it merely a business operating under the guise of journalism? There is a widespread mentality that everyone must record videos, upload immediately to YouTube and Facebook to go viral, and generate income in dollars. This mindset undermines the credibility of artists, producers, and the industry as a whole. A major reason for these problems in film journalism is institutional weakness. The Film Journalists’ Association, which should be advancing this sector, appears ineffective.
Today marks the 10th general convention of the Film Journalists’ Association. This leadership transition period offers an opportunity not only for redistributing positions but also for self-evaluation, admitting mistakes, and setting new directions. The question remains—will the new leadership take this issue seriously? True change must begin with self-discipline. Journalists must learn, understand, and regularly practice their craft.
Film journalism is not dead yet but stands at a critical crossroads. The decisions made now will determine whether this field regains its dignity or gets lost in the noise of chaos.